Forest Trees of Illinois (Third Edition) — Reading Companion

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In Category - Trees Forests
Mohlenbrock, Robert H., 1931-, Burton, Fredda J. [Illustrator], Meyer, Miriam Wysong [Illustrator], Mohlenbrock, Robert H., 1931- [Photographer], Richardson, John A. [Photographer] Project Gutenberg 2021 Not confirmed
Trees -- Illinois -- Identification; Forest plants -- Illinois -- Identification Readers of public-domain and historical texts
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Edition facts

Words 45,382
Reading time 198 min
Text sections 11

For Forest Trees of Illinois (Third Edition) — Reading Companion, the stored edition analysis reports 45,382 words, 3 hr 18 min estimated reading time, and 11 detected text sections.

The text analysis averages about 15.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Trees -- Illinois -- Identification,” connecting these edition facts with the source record’s subject description.

This editorial note examines the authorial choices in Mohlenbrock's field guide, focusing on precise descriptive language, structural consistency, and the integration of photography and illustration to aid tree identification in Illinois.
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Forest Trees of Illinois

By Robert H. Mohlenbrock Department of Botany, Southern Illinois University

Photography by John A. Richardson and Robert H. Mohlenbrock Illustrations by Miriam Wysong Meyer and Fredda J. Burton Southern Illinois University

Printed by authority of the State of Illinois Issued by DEPARTMENT OF CONSERVATION Division of Forestry

Acknowledgments 4 Introduction 5 Illustrated Glossary 6 Key to the Trees of Illinois in Spring, Summer, and Fall 9 Key to the Trees of Illinois in Winter 27 Trees of Illinois 38 Special Places to Study Trees 318 White Oak, the State Tree of Illinois 322 Illinois Big Tree Champions 323 Index to Common and Scientific Names 324 District Foresters 330

I am grateful to the late Mr. Fred Siemert, State Forester of the Illinois Division of Forestry, for suggesting the need for a new “Forest Trees of Illinois.” The first and second editions of this work have been immensely popular, and the need for a third edition is gratifying.

This third edition is only slightly modified from the second. A few illustrations and bark photographs have been substituted, and the key has been improved in places. New material has been added to the description of the water hickory.

I wish to give thanks to Mr. Al Mickelson of the Illinois Division of Forestry for encouraging this third edition, and to his assistants, Mr. John Sester and Mr. Ernest Kunze, for editing it for publication. Mark Mohlenbrock has redrawn the leaves and fruit illustrated on pages 101 and 169.

The initial edition of Forest Trees of Illinois was written in 1927 by W. R. Mattoon and R. B. Miller, two prominent foresters in the state at that time. This was revised in 1955 by Dr. George Damon Fuller, then of the Illinois State Museum, and E. E. Nuuttila, State Forester of Illinois.

In 1973, I prepared the first edition of the new Forest Trees of Illinois with new text, keys, photographs, and illustrations. An updated second edition was published in 1978. Because of the heavy demand for this work, this third edition has been prepared.

Woody plants are usually divided into trees and shrubs, but the difference between these growth forms is not always distinct. In this work, we consider a plant to be of tree stature if it has a single erect trunk which branches above the ground to form a crown. It must have a diameter of at least 3 inches 4½ feet above the ground and an overall height of 12 feet. Some of the plants included in this work are borderline between trees and shrubs. The height of a plant may be influenced by its geography. Thus, the Gray Dogwood (_Cornus racemosa_) in extreme southern Illinois may reach the dimensions of a small tree, but this same species in northern Illinois is also of a shrubby stature.

Almost every kind of plant in the world is known by a Common Name and a Latin Name. The Common Name is the one used locally by residents of the area. It is of limited value because people in different areas sometimes have different names for the same plant. For example, one of the trees in Illinois is known by some as the Ironwood, by others as the Blue Beech, by others as the American Hornbeam, and by still others as the Musclewood Tree. Then again, the name Ironwood applies to at least two different kinds of trees in Illinois. The Latin Name for each kind of tree is known the World over by the same name. Actually, the Latin Name is composed of two words, the genus name, which is always capitalized, and the specific epithet, which is not capitalized.

Of all the kinds of plants in the World, none is so well-loved, so stately and majestic, as a forest tree. More and more people each year are vacationing and seeking outdoor recreation. Many of them “take to the woods” for their leisure, because the forests of our state hold an unending fascination to many who enter them.

Moreover, trees provide us with building material for our homes, shade for our lawns and parks, and hundreds of other products used in our everyday living.

To know the trees we encounter is to enhance our appreciation for them. The purpose of FOREST TREES OF ILLINOIS is to bring to Illinoisans a means of identifying the trees that grow in this state.

In order to distinguish one kind of tree from another, it is necessary to learn the major characteristics which the forest trees of Illinois may possess. Illustrated below are several of the most commonly encountered characteristics of leaves and twigs. A thorough understanding of these structures will insure a quicker and more accurate identification.

Robert H. Mohlenbrock's Forest Trees of Illinois (Third Edition) opens with a clear, operational definition: a tree must have a single erect trunk, a diameter of at least 3 inches at 4½ feet, and a height of 12 feet. This threshold immediately signals the guide's practical orientation, distinguishing borderline species like Gray Dogwood, which may reach tree stature only in southern Illinois. The author's diction is consistently precise—twigs are described as 'stout, often bordered by corky wings,' buds as 'large, shiny, pointed, sometimes sticky to the touch.' Such specificity trains the reader's eye to notice subtle field marks.

Descriptive Consistency Across Species

Each species entry follows a rigid template: Other Name, Growth Form, Bark, Twigs, Buds, Leaves, Flowers, Fruit, Wood, Uses, Habitat, Range, Distinguishing Features. This uniformity allows quick comparison. For example, the Sweet Gum entry notes its 'dry ball about one inch in diameter, covered by numerous short, often sharp projections,' while the Tulip Tree fruit is described as 'dry cones about 2½ inches long, composed of several winged seeds.' The author avoids vague terms; bark is 'dark gray and broken into scaly ridges' for Sweet Gum, but 'grayish, becoming deeply furrowed at maturity; furrows often whitish within' for Tulip Tree. Such consistency in structure and vocabulary makes the guide a reliable reference for field identification.

The Role of Visual Evidence in the Text

Mohlenbrock integrates photographs and illustrations as primary evidence. The title page credits photographers John A. Richardson and Mohlenbrock himself, alongside illustrators Miriam Wysong Meyer and Fredda J. Burton. In the acknowledgments, he notes that 'a few illustrations and bark photographs have been substituted' for this edition, indicating careful curation. The text often directs attention to visual details: for Osage Orange, twigs are 'dull orange-brown, smooth, zigzag, with short, sharp, axillary spines.' The accompanying images presumably reinforce these features. The author's choice to include multiple visual contributors suggests a deliberate effort to capture both overall form and minute characteristics—bark texture, bud shape, leaf arrangement—that words alone cannot fully convey.

Diction and the Reader's Sensory Engagement

Mohlenbrock's language appeals to multiple senses, not just sight. Bark is described as 'separating into shaggy strips' (Osage Orange) or 'deeply furrowed at maturity; furrows often whitish within' (Tulip Tree). Buds are 'flattened, up to 1 inch long, resembling duckbills'—a simile that aids memory. The author notes that Sweet Gum leaves 'turn a variety of colors, from red to yellow to purple' in autumn, and that Osage Orange wood is 'orange when first cut, becoming brown.' These sensory details ground the guide in direct observation. The consistent use of precise measurements—'up to 5 inches long and 3½ inches broad'—further trains the reader to quantify what they see, a habit essential for accurate identification.

Structural Choices: Keys and Their Audience

The guide includes two dichotomous keys: one for spring, summer, and fall, and another for winter. This dual-key structure acknowledges the seasonal reality of field work—leaves may be absent in winter, so bark, twig, and bud characters become paramount. The winter key relies on features like 'leaf scars alternate, half-elliptical, slightly elevated, with 3 bundle traces' (Sweet Gum). Mohlenbrock's decision to include both keys reflects an understanding that his audience includes not only botanists but also hikers, foresters, and students who may encounter trees in any season. The keys are placed before the species descriptions, guiding the reader to a tentative identification before consulting the full entry—a pedagogical choice that emphasizes active learning.

Mohlenbrock's guide rewards careful reading: its descriptive precision, consistent structure, and sensory language equip the user to see trees with new attention. The inclusion of both summer and winter keys, along with photographs and illustrations, makes this a versatile tool for year-round identification. Readers are encouraged to pair the text with direct observation, using the distinguishing features listed for each species as a checklist in the field.

There’s a quiet comfort in how Mohlenbrock’s guide lets every leaf feel weighty, each description a small anchor. It reminds me of paging through Some Historic Trees — Themes and Context, where trees hold memory rather than just bark and buds. Both books make you pause, gently, and wonder who stood beneath them before.

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